There has never been a better time to be a woman in the film industry. In recent years, we have seen more and more women actively taking on above-the-line roles as Directors, Producers, Writers, and Cinematographers—roles traditionally dominated by men. Films made by women have not only added a fresh perspective to visual storytelling but have also proven to be highly profitable at box offices worldwide. With the successes of Wonder Woman directed by Patty Jenkins and Moonlight produced by Dede Gardner, the industry is recognizing that embracing inclusion and expansion just makes sense. Audiences around the world reward diversity, and that is a positive shift for the entire field.
As a woman filmmaker, I acknowledge that challenges still exist, but I also see that opportunities for women to participate and lead in film have never been greater. I am optimistic about the future and look forward to adding my voice to the mix.
Last week (11–16–2017), I attended my first American Film Market (AFM) held in Santa Monica, California. As a female filmmaker who began her career in acting and recently started exploring producing, this was an eye-opening experience in understanding the business side of filmmaking.
I had never seen so many filmmakers—Directors, Writers, Producers, Distributors, Sales Agents, Cinematographers, Special Effects Artists—all gathered in one place to make films happen. The event was held at the Loews Hotel by the Santa Monica beach. Hotel rooms were converted into office spaces where sellers pitched films and deals were made. The hallways were lined with posters of films set to release in the coming years.
Daily conferences featured big-name filmmakers such as Pilar Alessandra (On The Page), Cassian Elwes (Producer), Alison Thompson (Cornerstone Films), and Dana Lustig (Director/Producer), who shared valuable insights on writing, production, financing, and distribution. I felt like a child visiting Willy Wonka’s Chocolate Factory for the first time.
While the excitement was overwhelming, I focused on two main goals: 1) to learn and 2) to meet fellow filmmakers, especially women. I’m grateful that I achieved both. As a new producer, I once believed financing was the biggest hurdle—but one distributor told me something I’ll never forget: “The river runs with gold for good content.” That truth brought clarity—great content is what secures financing.
Initially, it was intimidating to speak with veteran producers and distributors who routinely handle multi-million dollar films. Why would they talk to me? But I was amazed by how generous and welcoming many were, willingly sharing their knowledge and guidance. Their insights helped shape my path toward becoming a successful producer and creating opportunities for fellow artists.
Seeing so many talented women working in all areas of the film business was the ultimate inspiration. I learned that one of the industry’s top sales agents is Lisa Wilson—go, girl! It was equally uplifting to see male filmmakers genuinely supporting their female colleagues. It became clear that the film community is a collaborative ecosystem—something I deeply want to be part of. I felt I belonged. That feeling was a high like no other.
I left AFM more motivated than ever. I couldn’t wait to return home to Alaska and continue writing my next screenplay. The knowledge and contacts I gained from AFM are priceless. I’m grateful I had the chance to attend, and I highly recommend the experience to any filmmaker serious about chasing their dreams. For me, the investment was worth it a hundred times over.
